Sudheendradas V.R
Educator, Visual Artist - Sculptor
Sudheendradas is a visual artist, sculptor, and educator working across sculpture, in-stallation, and conceptual art. He completed his Master of Visual Arts in Sculpture from the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda.
His academic experience includes appointments at the Department of Fine Arts, Univer-sity of Hyderabad, and the School of Design, JECRC University, Jaipur, where he en-gaged with students across disciplines through studio-based and interdisciplinary learning environments. Alongside academia, he has worked in commercial and applied art, including professional experience in Bahrain. He has conducted workshops and col-laborative projects with institutions including Banasthali Vidyapith and C-MET Hyder-abad, and has served as a jury member at diffrent institutions


Facial casts capturing distinct emotional states are sealed in Ziploc bags like specimens for laboratory analysis. Accompanying scannable QR codes direct viewers to Wikipedia definitions of happiness, sadness, and excitement. By out-sourcing emotional comprehension to machine-readable language, the inter-active installation confronts the superficiality and detachment of human feel-
Much of his work operates in the tension between presence and mediation. A sculpted face, a framed surface, or a minimal arrangement of codes becomes a site where physical experience confronts machine-readable language. When a viewer scans a QR code to access a definition of emotion or family, the work ex-poses how authority is outsourced to digital archives. Meaning becomes
Encrypted Emotion
(Interactive Installation)
White Cement, polythene cover, paper print with QR code.
Size: Variable
Influenced by the conceptual shifts of twentieth-century visual art, where the art object was destabilized and the idea gained primacy, sudheendra remains interested in how form can hold thought. Rather than rejecting materiality, he uses it deliberately, allowing sculptural processes to coexist with digital sys-tems. The object is not neutral; it stages a negotiation between what is felt and

Combining historical stone craftsman-ship with contemporary face-tracking technology, an electronic toy dog sits atop a carved Dwarapalaka stone figure. The motorized dog follows gal-lery visitors' movements via real-time computer vision, blurring ancient pro-tective motifs with modern surveil-lance mechanisms. searchable, standardized, and de-tached from lived complexity

Dry Leaf
Dry Banana Leaf, Leafs Cloth, Metal wire.
Size: Size: Varivbable
Fear versions
(Interactive Installation)
Stone, Metal chain, toy dog, Mud, Camera.
Size: Size: Varivbable

Applied Art and Commercial Practice
Alongside fine art installations, the practice encompasses extensive commercial design, 3D modeling, and art direction across diverse creative industries. Expe-rience includes serving as Art Director for Olayarcrafts in Budaiya, Bahrain, over-seeing large-scale commercial craft and design initiatives, as well as working as a Maya 2.5D modeling artist at C-Design in Thrissur. Independent commercial work spans custom sculptural fabrication, mural design, and client-commis-sioned paintings executed between 2014 and 2019. Additional specialized proj-ects include directing the design of an e-waste sculptural installation for the Centre for Excellence on E-waste Management (C-MET) in Hyderabad, demon-strating a capacity to synthesize commercial design execution with environ-mental awareness and industrial materials.
Clay Figure of a Tribal Man
figure made of Tribal Muesum Tamil Nadu
(Image on top)
Thermocole Sculpture (Making)
(Image on Right)


Fiberglass Figure of a Tribal people
figure made of Tribal Museum Tamil Nadu
(Image on left)

E-Waste Sculpture
E-Waste Sculpture (Made for C-MET Hyderabad)
(Image on right)


